CORRECORRE

RUN

In collaboration and residency in Marcablanca , Madrid.

corre. punto de encuentro <p.d.e.> 19 nov 2018

la presente edición consta de doce cartas anónimas escritas por estudiantes de un colegio público de cádiz, niñas y niños de doce años que fueron testigos del arribo de migrantes a las costas de cádiz durante el año 2018.

¿qué tienen que decir los niños sobre los desplazamientos forzados a los niños que están en el proceso de atrevesar frontera?

#fronterasur

un proyecto de marina salvo, por marcablanca, 2020


licenciada en bellas artes por la universidad de granada, y su trayectoria internacional la ha llevado a realizar estancias artísticas y proyectos relacionados con el arte contemporáneo en la universidad yildiz de estambul o en el cuaad, de la universidad de guadalajara, en méxico. además ha participado en exhibiciones colectivas en méxico, en la art basel week de miami o en el hispanic innovation center de chicago. ha formado parte de exhibiciones en la casa invisible de málaga, en la abm confecciones y en j.a.c.a., ambas en madrid.

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AboutAbout

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My projects show a search for the raise of awareness of aspects that as far as I am concerned are problematic in our society. My work is connected to social environment, both political and anthropological.

I am interested in how we experience, think about and represent countries, and how people perceive and describe the spaces in which they live. My practice encompasses painting, drawing, photography,installation, site- specific and filmmaking.

My aim is that my projects grow in a collective way and I look for collaborations together with specialized people in the studied topic. My last reflexions that I show are focused on the different vital states that are created when we keep moving. Travelling from one geographic place to another and leaving our known environment and how nowadays hegemony plays everywhere.

I believe that, by providing alternative perspectives about life, art can be an agent of change. Those new perspectives, rather than the transmission of just one message, are what I look for with my work. Whether it’s my body or my objects, what I put out there among people always intends to be and subject of particular significance to every person that experiences it. The use of social convention and interpersonal codes is a very delicate task; they can touch us deeply and in many different ways. That’s where my strong commitment to the study of these matters comes from.

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